The Blue Beetle universe is opening up in a new direction as Warner Bros Discovery prepares to make the first Blue Beetle TV show. The live-action movie has been a hit worldwide, and anticipation is high for its animated counterpart. This new series will be directed by Miguel Puga who spent four years on Nickelodeon’s The Casagrandes and written by Cristian Martinez who recently worked with Puga on Good Trouble and The Fosters. Reports of Joel Kinnaman’s return as Ted Kord in an episode of the Blue Beetle animated series are adding to the chatter. Even if these reports turn out to be false, it would be a shock if Kord were not included in the series in some way, and there is no word about anyone else from the movie. The first Blue Beetle is already getting a second movie.
With a history of bringing stories to life with beautiful animation and endearing storytelling, the series lauded director Miguel Puga has been plotting behind the scenes since the beginning of this year, when he was named showrunner of an animated television version of Blue Beetle. His involvement promises to make for a fun new look for the character.
The extended-family component of Jaime’s story – which will be embodied in a way congenial to US audiences by Puga’s distinctive brand of visual storytelling – will be served by Cristian Martinez, whose narratives about families on shows like Good Trouble and The Fosters have found large audiences. The Puga-Martinez creative lineup hints that the series will be as much about superheroics as it will be about the relationships that will define Jaime and help him grow.
The animated series will pick up where the Blue Beetle movie left off. Ángel Manuel Soto directed the film, and Xolo Maridueña’s performance as Jaime Reyes was a rare thing in superhero cinema: he built a true emotional interior for Jaime, creating a character whose crises were as much about loyalty to family as about facing down a supervillain. Now, the animated series will continue some of these narratives and show more depths to the characters and their relationships.
What was originally intended to be an exclusive for the streaming service MAX (formerly HBO MAX) ultimately got its shot at big-screen glory, but that switch speaks to the studio’s faith in the franchise’s ability to draw audiences to cinemas, not just a digital platform. When James Gunn recently noted that the film will be ‘its own story with its own beginning, middle and end… but also relating to, and being part of, the new DC Universe,’ that raises even more intrigue about how the animated series will become part of this new DC Universe.
Ángel Manuel Soto’s Blue Beetle is distinct in the superhero genre: we don’t get another generic superhero film, but a story delicately layered with family dramas and cultural reference points, and the hero’s powerful journey. In her review, Alyssa Mora pointed out some of these distinguishing features, revealing the groundbreaking storytelling of the film within the genre.
‘It underscores the fact that the property is a blue-chip property, that it has never been pulled out of the drawing board and enjoyed for what it is capable of. So they’re taking that character, cashing in on the rich history and fandom, and putting it into animation,’ applying techniques from the realms of cartoons, he says, ‘to widen the breadth of the superhero narrative and appeal to a much younger audience, kids, and perhaps make him a household brand.’
Ahead of the Blue Beetle animated TV show debuting this summer, no one is sure how it will tie into the equally well-promoted DC Universe. But that might be beside the point. With Miguel Puga and Cristian Martinez leading up the series, we have another notable superhero outing. More importantly – and the point of this retrospective – storytelling is taking ever more diverse, cultural and emotional paths.
Warner Bros. Discovery’s commitment to launching Blue Beetle on its streaming service MAX is an acknowledgment that the days when big-budget superhero movies got only one cinematic release before being confined to home screens regardless of performance are probably over for good. It’s part of Hollywood’s commitment to ‘maxing out’ its characters, however it can. If they can create superheroes in animation and port over their most compelling elements to live-action, that’ll do too. Either way, they’re committed to making sure that everybody makes a huge impact on the biggest possible audience.
That Jaime Reyes is flapping his wings on both the silver screen and small screen, and now animated, is testament to the value of well-textured story and characters. Animation fans can’t wait for the premiere of the show; but one thing is for certain: the Blue Beetle’s flight is far from over; its wings are just spreading a little wider.
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