TV fans know that series renewals and premieres are exciting times. And HBO seems to be owning those times once again, as they announced this week that House of the Dragon will be getting a third season, before the show has even aired its second. The much-anticipated Game of Thrones spinoff impressed both fans and critics in its first season, and HBO seems determined to continue the party, returning to Martin’s original world to keep the story going.
Even as everyone awaits season two of HBO’s House of the Dragon, the network has announced that the show, the TV prequel to Game of Thrones, the TV adaptation of the novels of George R R Martin, has been picked up for a third season. This move ensures that HBO keeps the brand and the franchise going, and it’s a great way to show the audience the future of Westeros. HBO’s executive vice president of programming and head of HBO Drama Series and Films, Francesca Orsi, released a statement praising the author, showrunner and the creative team and cast behind the second season: Season two of House of the Dragon landed even bigger numbers than season one and is off to a fantastic start. The stellar ensemble cast, led by Paddy Considine, Emma D’Arcy and Matt Smith, along with masterminds Ryan Condal, George R R Martin, Miguel Sapochnik and Clint Cannon, have raised the bar and proceeded to smash through it. We are thrilled that Season Three will return to continue their epic tale.
With the buzz, though, come the attempts at secrecy, with HBO releasing few details about season three, including an air date. Like last year’s early renewal of the video game adaptation The Last of Us, the early renewal and scant details mean the network is bullish about the show.
At a time when attention spans are shorter and competition for eyeballs starker than ever, it’s not enough to tell great stories. You need the kind of rock-solid commitment to excellence demonstrated by executives like HBO’s Francesca Orsi, who speaks about House of the Dragon with the same sort of enthusiasm and anticipation that the network has earned from viewers around the world.
Even before the second season of House of the Dragon has aired, HBO knows better than to find out if lightning can strike twice so early: it renewed the show for a third season. Its commitment to and confidence in its flagship franchises are profound. When asked last year by Vanity Fair if the spin-off would stick to a four-season plan, Francesca Orsi slyly hinted that more might be on the horizon. It is a deep, savoury statement about the long-range plans HBO has for the Game of Thrones universe to keep its fans satisfied – and in thrall – for as long as possible.
The success of House of the Dragon has opened the door to more exploration of the world of George R R Martin. HBO doesn’t want to end its engagement with Westerosians and beyond. In fact, HBO’s willingness to move ahead on another spin-off, based on the book Fire and Blood, A History of the Targaryen Kings of Westeros (2018) by another GoT writer, Geoffrey Thorne, is another example of what HBO has in store for GoT fans. Titled Ten Thousand Ships, it is an adaptation based on the story of the ‘Warrior Queen’ Nymeria of the Rhoynar. The focus on Nymeria and the Rhoynar ties HBO even closer to the ‘Game of Thrones’ world, and indicates that the network might have more stories to tell in this universe, filled with more drama and intrigue for its audience.
So, with each announcement and every renewal, HBO is playing to the strengths of the ‘Game of Thrones’ series they triggered into life. By funding Martin, Condal and their merry band of writers and directors, HBO agrees to allow the saga to live on. ‘House of the Dragon’ has been renewed. What it really offers is: more stories of Westeros; invites viewers to discover the nuances of its world.
And behind every series there is a behind-the-scenes group of executives and creatives whose vision, strategy and investment of time, talent and ambition make each project happen. In the case of House of the Dragon, and across HBO’s wider catalogue of series, executives’ decisions – for renewal, for new spinoffs – are driven by the combined forces of market instinct, financial investment and creative judgement that ‘make it work’ in front of millions of folk around the globe.
House of the Dragon is the best example I can think of to illustrate how a series can transform through strategic executive decisions from a singular storyline into a sprawling franchise able to capture the imaginations of millions around the globe. As HBO continues to navigate the changing entertainment landscape, those in executive roles will always play a critical part in leading the network into the next phase of innovation.
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