Warner Bros. Entertainment is opening the floodgates to a deluge of superhero superstardom, with a two-part animated film adaptation of Watchmen Chapters 1 – 2. It’s another graphic novel to movie translation but this time with a CG coat of paint that preserves the most minute details of the masterpiece from Alan Moore and Dave Gibbons. Here we go deep behind, in front and through the story of this presentation to decide if it’s a rewrite or a verse by verse adaptation.
The hype only intensified with a 40-second teaser that laid bare the vision for the animated adaptation, slicing together brief scenes of the behemothic Doctor Manhattan, the nocturnal dressed adventurer Nite Owl and the blood-spattered vigilante Rorschach. With its brooding underscore and the indelible image of Rorschach’s oozing, fizzled smile, the trailer served as a promising hint to fans that superhero satire was on its way, with all its grave undertones and convoluted narratives that made the original source material so gripping. It wasn’t a trailer that skimped on information, but a teaser; a promise at the dawn of an epic adventure into the hinterlands of one of the most interesting narratives in the annals of superhero fiction.
In an era of binging, when predatory algorithms strive to offer us instant gratification, Warner Bros offers us anticipation instead. At the Annecy International Film Festival, it was announced that Watchmen Chapters 1 and 2 would not be released together – Chapter 1 in 2024, Chapter 2 in 2025. Audiences would be given a chance to savour one half of this monumental tale, fully digest it, before coming back for the conclusion.
However, Warner Bros’s latest iteration is just the latest instalment in a long string of efforts – from Zack Snyder’s 2009 live-action movie to HBO’s 2019 TV show – to adapt Moore and Gibbons’s classic. While each adaptation puts its own personal spin on the Watchmen universe, the best-known efforts have all sought some degree of visual fidelity to the original. Snyder’s adaptation tried to make itself a visually faithful remake, while HBO’s version, set a number of years after the events of the graphic novel, simply tries to extrapolate the lore. Both had their detractors, but they maintain the legacy of Moore and Gibbon’s original, which continues to intrigue and provoke viewers with the same cultural muscle it demonstrated from the start.
Any adaption of an established classic faces critical expectations of being in a class by itself, and Watchmen Chapters 1 2 Warner Bros.’ new adaptation of graphic novelist Alan Moore’s Watchmen, the ground-breaking superhero satire from the 1980s, is no exception. Since Warner Bros. announced its intention to make an animated adaptation of Moore’s seminal work, fans have no doubt been wondering how the story will be filtered through this medium, and what its DNA will look like when this beast is born. How will the filmmakers manage to convey the characters’ depth and complexity, its intricate and multi-stranded narrative and its uniquely layered blending of superhero action with deeper philosophical and sociological questions? Here’s hoping this development will see as bright a future as its forebears have.
No epic masterpiece is complete without a visionary creator or two – often, the heart and soul behind a project of this magnitude. Since Warner Bros’ announcement and the teaser dropped, a significant contingent of fans have taken to social media channels to talk about the creative process that goes into bringing a layered story like this to a new medium. Speculation has ensued around just how the creative team will adapt the story for this format – what kind of animation style will be used, for instance, and how will they reinterpret the graphic novel’s artistic style? Who will be cast as the iconic voices behind the characters we know and love? As the date for the release of Chapter 1 draws near, we can expect additional details to come to light about the creative process behind bringing this masterpiece to an animated medium.
The novel structure features a wide range of hero archetypes, from human heroes like the world-weary Nite Owl or the psychiatrist Dr Manhattan to ignorant ‘heroes’ such as the Lone Nut or the pugilistic Silhouette, who thought herself a raccoon. Moore believed that the power of the story lay in exploring ‘the fine line between the two’: ‘Were they heroes because they thought themselves to be? Or were they something more – which would mean that the world was far scarier than anyone ever imagined?’ In many ways, Watchmen is not a superhero story at all; it is, rather, a ‘psychological psychological’ thriller about the human condition. It features complicated characters who are structured and back-storied with the same rigour as a TV series, but this time within the space of a single volume. These characters – and the convoluted narrative that binds them together – have become the stuff of comic book lore. For three decades, the philosophical novel has been combed and dissecting over to present a study in superhero archetypes. Professor Zack K Miller of Ashland University in Ohio has written ‘Teaching Watchmen’ and a separate paper on ‘What is Twilight?’ with the help of my former PhD student Marisa Bigelow. And yet, Damon Lindelof and company were not working from a finished textbook.
On the eve of viewing Watchmen Chapters 1 & 2, it’s increasingly clear that this project is much more than an adaptation – it’s an homage to a canonical work whose genre-pushing legacy has guided generations. With a carefully constructed timeline and cast of characters, no heroes or villains – but all troubled and tortured souls – Warner Bros’s animated films promise to be the great extended middle section of Watchmen‘s epic adventure. Fans of the original graphic novel will have the opportunity to see their beloved work given new visual life, while newcomers to the sprawling comic will find the glimpses of action, mystery and metaphor they need to be drawn in and eager for more. Who watches the Watchmen? Someone’s watching us!
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