In our metropolitan centres, there is a deadly enemy, barely visible to the naked eye. It’s something that we breathe in but rarely see. It gradually impairs our health and jeopardises our planet’s future. But ‘Aerosol Atlas’, an innovative multimedia project, is unveiling this ubiquitous, invisible hazard in a way that is both striking and contemplative. ‘Aerosol Atlas’ reveals the beauty of air pollution with LEDs. Courtesy the artistsUsing the power of LED light paintings, ‘Aerosol Atlas’ depicts airborne pollutants and allows the viewers to experience the otherwise imperceptible. The transient and immaterial light streaks representing pollutant particles in the air mirror our ignorance about the invisible, dangerous elements that pervade our atmosphere.
Between creativity and technology is Aerosol Atlas, a collaborative project of the artists and researchers at the UCLA Sibley School of Mechanical and Aerospace Engineering. This form of art goes far beyond the sensory. They use LED curtains, advanced real-time sensors and data to create site-specific, interactive lighting installations with a very real purpose. Instead of being a diversion, their lighting allows people to see the air pollution that is otherwise invisible. In essence, their art helps people see their invisible enemies.
Imagine standing behind an LED curtain of light in a park that changes its colour and pattern to reflect the ebb and flow of urban pollution in real time – as pollutant levels rise, the lights turn brighter and more chaotic; as they fall, the lights fade back into the background. That’s what Aerosol Atlas does with its LED curtains: the curtains are fitted with sensors that detect the aerosols in the air – air consisting of fine solid or liquid particles suspended in the atmosphere – and translate this information into a visually appealing display of colour and light. This can make a generally abstract and intangible piece of information – air quality – feel very tangible and exciting.
Aside from being visually compelling, Aerosol Atlas empowers those working not only to represent but also advocate for environmental science and policy. By reimagining the air as a series of watercolour paintings, the project makes visible what it would otherwise be impossible to see. Aerosol Atlas can be a valuable tool for scientists and policymakers to understand the causes of air pollution and responses to poor air quality. The project hopes, one day, to be a catalyst for new research and regulations for clean air.
Since its inception, the Aerosol Atlas has been presented at conferences, galleries, museums and institutions, from the 2022 United Nations Climate Change Conference (COP27) in Egypt to multiple exhibitions and shared widely online. Public responses demonstrate that watching the work triggers a renewed awareness of the air and a new motivation to challenge the status quo: viewers see a representation of their local atmosphere and are moved to passionately try and make it better.
It’s yet another suggested way forward for us in this age of often terrifying environmental challenges: by making visible what had been invisible, it brings home to those who could not yet see their responsibility for addressing, and solving, it. It’s about the very act of seeing. We should expect to be seeing more and more works like Aerosal Atlas in the decades to come, works that will continue to ignite the imagination, make useful work in the public sphere, and inspire real-world actions that will follow on from the initial poem, the first painting, or the first video.
In combining fresh artistic approaches to data visualisation with pressing global environmental concerns, Aerosol Atlas offers a prime example of the potential: artistic creation to draw attention to pressing environmental problems; scientific information to arm the public; and public art to bring people together. As the project continues to develop, we hope that it will continue to inspire individuals, communities and policymakers to engage more actively with the challenge of air pollution. The Aerosol Atlas was made possible by AirMon, a project funded by the European Union’s Horizon 2020 research and innovation programme.
Ultimately, Aerosal Atlas is a project that is as much about inspiring as it is about art or science. It makes us consider our relationship with the environment and the air around us. By merging technological innovation with artistic creativity, Aerosol Atlas does not merely interest our senses; it inspires action, discussion and change towards a global community that is more conscious and sustainable. If, in the face of air pollution and climate change, we hope to make progress towards a brighter and healthier future, we will turn to art and science such as Aerosal Atlas.
The original meaning of the verb ‘inspire’, as ‘to breathe into’, surely has a link to the atmospheric character of Aerosol Atlas, in which air pollution is brought closer to us through our sense of sight. The project brings an obscure issue to life through aesthetic means; in that way, inspiration transforms air pollution from a top-down problem into a bottom-up sensation. It inspires us to look differently at our surroundings, and ultimately to shape them differently, even though this is obviously not the author’s intent. Inspiration, in this sense, acts as a kick in the pants, a motor of innovation, awareness and ultimately action in the face of peculiar environmental challenges.
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