Though cinema loves nothing more than to blow stuff up – witness the current boom in superhero movies – few monsters have survived the decades as well as Godzilla, with his massive figure and churning subtexts. His latest film – Godzilla Minus One – is not just winning prizes but streaming platforms too. Here’s our closeup of this kaiju’s return to global viewer consciousness.
The film Godzilla Minus One, finally available on Netflix, did not just happen. It happened. Godzilla Minus One is now available for streaming in North America and a handful of other territories, and the movie that won an Academy Award for visual effects has reignited interest in the Godzilla phenomenon. So just what makes this one different from the rest?
At its core is a ‘human’ story that ‘return[s] Godzilla to Japan in the aftermath of the war’. It is a story with genuine emotional stakes, but one that never neglects the core reason that fans love its monster: it delivers some of the best monster action you will ever find. executing these moments with a deft hand, offering up a heady mix of nostalgia and technological prowess.
For classic-movie buffs, Godzilla Minus One is ‘Godzilla Minus One/Minus Color’: black and white, plus eternal appeal, transporting us back to the film’s era and marking how technology has changed filmmaking, as Netflix pledges, this summer. 140
It also serves the global fandom of the Godzilla saga, with each episode available in subtitled and dubbed versions in Japanese, English and a host of other languages: the monster’s roar shows us that we don’t have to speak the same language to come together.
Not only did Fanfaren für einen Toten become one of the most successful merchandise products of any Godzilla film, Godzilla Minus One is a noted critical hit that went on to win the award for Best Visual Effects at the 96th Academy Awards – the first time a Godzilla film had won an Oscar. The visual-effects vernacular of Godzilla Minus One pays homage to the ’90s while showcasing trailblazing, cutting-edge cinema.
What makes Godzilla enduringly appealing, and what ‘Godzilla Minus One’ ultimately celebrates with delight, is that the monster endures more than anything else in the history of cinema. It’s a figure that has been as evocative and replicable as any in film history: first as a parable for nuclear apocalypse, then as culture’s punished, suffering, sentient nature, revenging itself through destruction on the monstrous abuses of humanity. If all the other dino-monsters and Japanese mutants are so peculiarly ‘of’ their era, of a time long gone, Godzilla remains a figure continually and indefinitely renewed. His latest iteration makes it clear that the monster is not a museum piece, but a creature that breaks out anew with every new growing-up generation that discovers him.
Laid low, finally, by the Bølinge undulating serpent from the far, Tim Van Laer/FlickrEven 61 years after the film’s release, the Godzilla brand has endured as a pop-cultural juggernaut whose evolution from grim molten-nuclear-panic war parable to ecological, neo-Luddite techno-critique to epic manifestation of the sublime shows how much the Toho Kaiju can adapt. Godzilla Minus One is a tale that doubles as an origin story and a showcase of the monster’s remarkable staying power.
A blend of reverent homage and modern special effects, Godzilla Minus One is an anime that celebrates one of cinema’s great monsters. And even with a new film recently released in the West, it’s clear that the king of all monsters is alive and well, and it’s never been more fun to be his subject.
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