‘House of the Dragon’ has been renewed for a third season before the second season has even aired. HBO took a big swing and hit a home run – now it’s ready to go, go, go In a move that is sure to electrify fantastical corners of our world and real ones too, HBO has announced a renewal for House of the Dragon for a thrilling third season even before the second season has debuted. And the show hasn’t even had time to premiere its season two. Does HBO know something we don’t? Perhaps it’s just the age of self-promotion like Netflix’s Project Power, in which it announces a show before it knows anything about it yet – building hype for its own sake. Maybe it’s just the fact that everything is predetermined these days, so there is no chance of cancelling an idea before it has even gotten the okay to become anything.
Frankly, House of the Dragon has stepped into the shoes of the much-loved, mega-hit ‘Game of Thrones’ series – who could resist a continuation in the exploits of the ever-complicated mesh of Westerosi politics, power and dragons – and proved that it was produced and written with the necessary enthusiasm to current, and keep in front of, the frenzied audience. The comment by HBO’s Executive Vice President of Programming and Head of HBO Drama Series and Films, Francesca Orsi on the ‘extraordinary’ quality of the second season’s ‘colossal effort’ tells the story: the series is more than up to ‘Game of Thrones’ legacy, and has gone on to develop new visual effects and storytelling sagas.
The underlying reason for HBO’s immense faith in the series is the assured scope and emotionality of the second season. When House of the Dragon returns to MAX and HBO on 16 June 2023, the show will continue the story of the House Targaryen, with complicated character relationships and the interwoven history fans have come to expect. HBO’s decision to renew the series earlier shows their commitment to storytelling, and this suggests their investment for the plan they have going forward.
The mere fact of HBO giving the green light to House of the Dragon, with its five-star settings, elaborate costumes, spectacular CGI dragons, illustrates that this is peak entertainment. HBO doesn’t dispense with commendations lightly, and Francesca Orsi’s praise for the ‘brilliant team’ who worked on it assumes that all the talent and sheer effort that went into the series warrants accolades, and suggests that viewers can expect a spectacle possessing the same ocular and emotional force as any Manzoni novel.
The two most recent renewal announcements coincided with author George R R Martin’s tidbits about further branching off into other stories in the universe, such as the upcoming ‘possibly’ scripted or ‘probably’ animated series ‘Ten Thousand Ships’ as well as other potential spin-offs. HBO’s stated ‘master plan’ to create a ‘living mythology’ – to sustain the ever-active and attractive fantasy world of the present and guarantee that internal, habitual, future-directed attention – is further proof of just how far out of this world Game of Thrones has thrown itself.
With a third season yet to be officially confirmed, a patient fandom is on tenterhooks for any further announcements. The release of the second season on MAX and HBO is likely to be a major event, perhaps marking new records for the fantasy genre on the small screen.
MAX was an important way to distribute the series, alongside HBO, so that the saga of the Targaryens could reach viewers all around the world and become part of the fabric of the new George R R Martin universe.
And now is the time to know the role MAX plays in the modern content delivery and consumption dock, from it’s ability to give access to quality and wide range of entertainment. With it’s partnership with HBO for the first of the Game of Thrones prequel, ‘House of the Dragon’, to be exclusively shown on MAX, only can give the tryer of high-end content an enhanced viewing experience.
And in the vast, serpentine saga of the epic that remains ongoing in the dragon-centric House of the Dragon (2022-), it remains a shining manifestation of creative ambition and storytelling skill at the height of its powers – as the rest of the populist world waits, with breath bated, to behold the next jaw-dropping, world-building, narrative-converging reality that HBO’s bet represents, and not without good reason.
From its rattling prows to the edge of the other end of the world, MAX has made sure that, when it comes to HBO’s ride into the fire and blood of the Seven Kingdoms and beyond, the voyage into the heart of the tale is just as remarkable as the ride itself. At a time when the bar has been raised so high for content, artisans such as MAX are living proof that a dragon need not fly only in the tales of yore. The tale continues for now, the world at its feet.
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