While history is often described as a curse for the survivors, in a modern world fixated with the shimmering promise of the ‘next big thing’, there’s an oddly unstoppable emergence of an affection for ‘old but gold’ relics of the past. It is happening in all spaces, from fashion and music to design and tech, showcasing that, indeed, what goes around, comes around. How and why are the esoteric, detritus and literally dead greats of yesterday being reclaimed by today? How is it possible that the classic has been liberated once again from the dusty attic of irrelevance, and now emerges as a cherished and celebrated experience we all want to enjoy?
Its attraction in a world of fast change and ephemeral trends is that the classic is always in, always has been in, and always will be in – and therefore good for us. Classic clothing, styles, car models, architecture, celebrations and the like remain because they are comforting and involving, pleasant reminders of a better-organised, more leisurely existence grounded in craftsmanship, grace and simplicity.
Perhaps most noticeable in the realm of interior decorating, the classic has returned to full force via the popularisation of mid-century modern furniture, the resurgence of stylised Art Deco patterns, and other examples where the past is finding a home within the future. Far from being the cartoonish kitsch of our parents’ generation, these are well-placed elements — sophisticated and characterful throwbacks.
And so, fashion is another area where the classic has retaken centre stage, with prowess. ‘60s, ’70s and even ’90s styles have returned to the catwalks and mainstream wardrobes, through which today’s styles are filtered. A classic trench coat, a little black dress, a pair of jeans worn in… these have proved to be lasting elements of the endless parade of fashion.
The recent revival of retro effects in movies and new genres of music are also renewing the popularity of the classical arts. There has been a rise in the number of remakes of old movies in recent times and also in popular music, where samples of music from as far back as the 1970s are being used, and they continue to dominate the charts worldwide. This trend is actually not only increasing the popularity of the classics of olden times but also exposing them to the younger generation. It would help to break the distance in taste and preference between the old and the young and in turn help the classical art form to stay relevant and appreciated.
In even the most forward-looking fields – technology, perhaps – there is a move towards replicating designs that hark back to a more traditional ‘golden era’. Vinyl record players sporting Bluetooth and 3D-printed circuitry provide the retro look for the consumer who is as attached to younger technology as older – a product, like so many others, that combines the look of the past with the functionality of the present. Here, popular culture reaches out to people who are looking towards the future, offering them a tantalising glimpse of what the past could have been if we only had the technology to turn it into something retro.
There are several reasons why classics continue to be so popular. For one, classic elements are an aspirational signpost of quality and sophistication contrasted with the fleeting, trendy and disposable. Second, classics can elicit a kind of nostalgia, evoking feelings of comfort and connection to the past. Finally, by mixing in classic elements, where things’ amplitude can transcend the ‘differentiated’ world around us, we convey a distinctive personal style of expression.
Going further, we might note that the adjective ‘classic’ conveys a sense of quality, timeless appeal and historical importance: even when used to describe particular items of art, literature, design or fashion, classic elements tend to endure; they conform to standards of value that transcend not only the iron laws of fashion but also generational boundaries. They are appreciated as much for what they say about our role in human history as for their aesthetic qualities.
In the end, the return of the classic in so many different areas of life reflects a larger cultural desire for authenticity, permanence and connection in the digital age. It reveals how, in the face of unending innovation, the objects of the past continue to inspire, uplift and inform how we craft our present and future lives. As we move on, the classic will be a compass pointing the way to timeless quality and simplicity – and how the old and the new continue to exist in a grand, polyrhythmic harmony.
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